Play Along Piano

Tags

Baroque

Handel, G.F., O Sing unto the Lord a New Song

pental

3:11	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
Organ	27	0	5	5	100%
Oboe	17	0	5	7	98%
Violino I	22	0	6	7	98%
Canto	15	0	4	8	95%
Bassoon	17	0	4	5	93%
Violino II	25	0	8	6	93%
Violoncello	21	0	5	5	93%
Contrabass	20	0	4	5	92%
Basso	16	0	5	8	90%
Tenore	16	0	6	7	78%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:10	Est. Play Time
91	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
Violoncello	22	0	5	4	87%
Violin	26	0	11	3	76%
Chalumeaux 1	15	0	4	10	66%
Viola	16	5	4	4	54%
Chalumeaux 2	15	0	3	6	45%

HWV1A2N4 - Lass ein sanftes Händedrücken

edward.maurath

2:30	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
Bassoon Continuo	20	0	4	4	100%
Double Bass	19	0	4	4	100%
Bass as Consalvo	12	0	3	6	65%
Oboe 1	15	0	2	5	53%
Oboe 2	16	0	4	5	52%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major

edward.maurath

6:14	Est. Play Time
85	Measures
	1,786Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
Violoncello Continuo	20	0	3	4	99%
Vln 1	24	0	6	3	81%
Vln 2	23	0	6	3	81%
Kontrebaß	22	0	4	3	78%
Berengario	18	0	5	7	69%
Violas	16	0	4	3	46%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
Viola	22	0	7	3	97%
Violino 1	23	0	6	7	97%
Violino 2	24	0	7	6	97%
Double Bass Continuo	22	0	7	3	95%
Violoncello Continuo	23	0	7	3	95%
Bass as Clodomiro	17	0	6	8	75%
Bassoon Continuo	23	0	7	4	75%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

Bach: BWV 565 - Toccata and Fugue in D Minor (c. 1730)

SpaceGuru5

8:35	Est. Play Time
143	Measures
	1,947Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	33	34	12	13	83%
	37	12	13	12	84%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	33	34	12	13	83%
	37	12	13	12	84%
	21	1	7	8	45%
	33	22	12	8	45%

HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes

edward.maurath

6:34	Est. Play Time
132	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	27	78	8	7	93%
	28	18	9	7	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	27	78	8	7	93%
	28	18	9	7	95%
Organ Continuo	27	78	8	7	93%
	28	18	9	7	95%
Violoncello Continuo	26	0	8	7	95%
Alto as Ino	13	0	4	7	67%
Double Bass Continuo	17	0	3	5	16%
Solo Violoncello	15	0	3	7	11%
Violins	9	0	0	5	7%

HWV61A3N60 - Great victor at thy feet I bow

edward.maurath

4:48	Est. Play Time
130	Measures
	1,206Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	27	134	8	9	98%
	22	65	6	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	27	134	8	9	98%
	22	65	6	4	98%
Violoncello Continuo	21	0	5	5	98%
Vln 1	23	0	7	8	66%
Vln 2	21	0	4	7	65%
Vcl	19	0	4	5	63%
VNE	18	0	4	5	63%
CYRUS	15	0	4	5	45%
NITOCRIS	14	0	4	5	42%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

3:45	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	95%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	84%
Viola	16	0	5	6	84%
Violini 2	15	0	3	7	84%
Soprano as Rodelinda	17	0	7	8	72%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

6:39	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	94%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	83%
Viola	16	0	5	6	83%
Violini 2	15	0	3	7	83%
Soprano as Rodelinda	17	0	7	8	68%

HWV5A1N24 Cara Sposa, amante cara, dove sei?

edward.maurath

12:13	Est. Play Time
93	Measures
	1,084Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
Viola	18	0	4	5	95%
Cembalo Continuo	25	63	8	6	64%
	26	57	6	6	75%
Cello	22	0	5	6	73%
Rinaldo	16	0	6	5	73%
Double Bass Continuo	22	0	5	6	72%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
Double Bass Continuo	16	0	2	4	94%
Violin 1	20	0	2	5	94%
Violincello Continuo	17	0	2	4	94%
Viola	17	0	2	5	93%
Violin 2	18	0	3	5	93%
Bassoon Continuo	17	0	2	4	89%
Bass as Clodomiro	16	0	3	5	65%
Oboe	12	0	0	5	29%

HWV26A2N10 - Alto Aria for Matilde "Arma lo sguardo"

edward.maurath

5:55	Est. Play Time
64	Measures
	1,233Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	138	11	7	95%
	25	28	6	4	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	138	11	7	95%
	25	28	6	4	98%
Violoncello Continuo	23	0	6	4	98%
Violini	25	0	8	7	96%
Contrabasso Continuo	21	0	6	4	85%
Maltilde	20	0	7	7	76%